Production Credits


Troma Entertainment/
Dir. Brandon Bassham


Production Assistant/
Boom Operator/Sound Recorder


Stain
(2024)


Student Film/
Dir. Julian Joseph


Production Assistant


Caterkillar
(2024; In Post-Production)


Troma Entertainment/
Dir. Grant Herson


Boom Operator/Sound Recorder


Kitadejin
(2024; In Post-Production)


Dir. Kyran Marshall &
Michael Fiebig


Boom Operator/
Sound Recorder


Worst Cooks in America

(2023; S27 & S28)


Food Network/
Brightroad Productions


Production Assistant


Lonely Day
(2022)


TuxedoGuy Productions/
Dir. Tyler Mayleas


Director/Writer/
Producer

Internship

ROM Studios
Rom Ozeri
Video Editing/Camera Assistant

Jul. – Aug. 2019
Manhattan, NY

  • Learned Premiere Pro video editing techniques and media workflow through curated online courses
  • Filmed B-roll footage at church weddings, parties, and various promotional material
  • Edited fashion shows and weddings, following client notes and requests
  • Assisted with carrying and setting up camera stands and audio equipment on wedding shoots

Education

Brooklyn College – City University of New York
Bachelor of Arts in Film, Concentration in Screenwriting

May 2021
3.394 GPA

Relevant Courses

Screenwriting I - IV

  • Outlined a feature-length screenplay, completing a 142-page first draft, edited down to 106 pages in the final class
  • Wrote short film scripts, developing an understanding of the screenplay format and cinematic voice

Film Production

  • Under instruction from Academy Award-nominee Sami Khan, learned the basics of cinematography hands-on using various camera and lighting equipment
  • Shot and edited a short film project with non-diegetic sound, focusing on storytelling through the moving image itself, such as shot composition and camera movement

Film Editing

  • Experienced film editor and filmmaker Todd Chandler instructed on the technical, as well as artistic, aspects of digital editing
  • Edited raw footage from pre-established works, such as documentaries and TV shows; given free reign to work with the materials and create a unique final result

Documentary Production

  • Renowned director Mustapha Khan demonstrated the finesse to capturing reality, from conducting interviews to crafting a narrative in real-time
  • Analyzed various forms of documentary film and noted the elements of these projects to be used in our own final documentary projects

Business of Film

  • Reviewed the state of the film industry and film marketing landscape, the stages from financing to distribution
  • In group collaboration, conceptualized a look-book from a concurrent screenwriting class, complete with casting and potential production companies to work with

Cinema and Criticism

  • Using his filmography to provide insight in leading a production, accredited assistant director/production manager Thomas Reilly gave a wealth of knowledge in coordinating productions
  • Exercised critical thought and discussion for the utilization of script elements such as cast, locations, VFX, and equipment (ex: closing down highways for helicopter photography, recreating shooting sites on soundstages)